May 8 2013

Evert Zeevalkink – Looping pedals… no guitar

Evert Zeevalkink - Looping pedals... no guitarEvert Zeevalkink is starting to be one of my favorite “looping” artists out there. I came across a video a while back in March (you can read the post here), but today, he contacted me letting me know about a recent video. What really caught my attention in the email, he mentioned he was doing some looping, but without a guitar. He’s literally ‘playing’ the pedals. Basically, he’s using a ZVex Fuzz Probe to generate a oscillating signal/note into his pedal chain, and then he manipulates the signal – primarily with an Eventide Pitchfactor. Pretty cool!

For this video, he used the following effects:

Zvex Fuzz Probe
Digitech Whammy
MSD Silvermachine Wah
Boss Blues Driver – Keeley Mod
Keeley 4Knob Compressor
Carl Martin Trem’O Vibe vibrato
Ernie Ball VP JR
Strymon Blue Sky
Eventide Pitchfactor
TC Electronic Nova Delay
Digitech JamMan Stereo

If you want to hear some great stuff, be sure to subscribe to his YouTube channel. Awesome stuff! Let me know what you think by commenting below!

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Mar 29 2013

Pedal Line Friday – 3/29 – Abram Denzlinger

Today’s pedal line is from Abram Denzlinger. If you have a pedal line (doesn’t have to be in a board) for your rig, please email me a photo, bio, description of pedals and routing to pedallineateffectsbaydotcom. Every Friday I’ll showcase a pedal line submission. Make sure you include any links to your band or music page.

Pedal Line Friday - 3/29 - Abram Denzlinger

I’m a guitarist in the Omaha Rock and Soul band Voodoo Method.  We play out fairly often and do some minor traveling to gigs, so this was pieced together over the last few years with simplicity in mind.  The Pedaltrain PT-2 HC and Voodoo Labs PP2+ make set up/tear down/transport easier.  I switch between a Strat and Les Paul, and run everything straight into a Rivera Quiana 212.

Analogman modded Boss GE-7 - for quick adjustments in tone/volume when switching guitars.  Makes the changes a little less drastic, and keeps the sound guys happy.

MXR Custom Comp – replaced a Keeley 2-knob.  The Custom Comp adds a little shimmer along with compression.  It’s a permanent part of my clean tone.

Fulltone Clyde Standard – replaced a Vox V-847.  I have the trim pot set halfway between Mike’s favorite setting and the stock 60′s Vox setting.  It makes for a nice all around (rhythm/lead) wah setting.

Peterson Strobo Stomp 2 – the only tuner I’ve found that I can see clearly in ANY lighting condition.
Fulltone OCD – set for light/medium OD.

Keeley modded Voodoo Labs Sparkle Drive – set for solo boosts.

Line 6 M5 – for tremolo and some weirder stuff like octaves, synth, etc.  I’ve never really cared for the Line 6 delays.  LOTS of people love ‘em, but I usually don’t use them.  I’ve gone back and forth putting the M5 in the effects loop, and it does make a significant difference in how the M5 performs.  The drawback is in the clean tone:  the extra 40 feet of cable in the effects loop rolls off some high end.  For as little as I use the M5, I prefer to sacrifice its performance a little and run it in front of the amp with everything else.  This keeps my clean tone how I like it, and the M5 still does ok.

T Rex Replica – incredible tap-tempo delay.  Always on the brown setting.  This replaced an MXR Carbon Copy – great delay, but the repeats get really dark on longer delay times.  Plus I really wanted tap tempo.  The replica gets it done.

Abram Denzlinger

www.reverbnation.com/voodoomethod
www.sonicbids.com/voodoomethod
www.facebook.com/voodoomethod

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Mar 9 2013

Evert Zeevalkink – Guitar looping

Evert Zeevalkink - Guitar loopingI’m a big fan of solo looping. As a guitarist, the possibilities have greatly expanded with the development of great loopers. Layering ambient loops to craft a sonic world is super fun and fulfilling. Also, I like that many of the loopers don’t store or save, so you have to be ‘on it’ as a musician. Screwing up a loop can be somewhat disastrous, but so is messing up in a band situation in a lot of respects.

The other day, I came across a great video by Evert Zeevalkink where he put together a nice little piece. As guitarists interested in effects, I thought a few of you would be interested, as well as possibly being inspired by this video:

Evert used the following pedals for this piece:

-Boss Blues Driver – Keeley Mod
-Keeley 4 Knob Compressor
-Carl Martin TremO’Vibe
-Ernie Ball VP JR
-Strymon El Capistan
-Strymon Blue Sky
-Eventide Pitchfactor
-TC Electronic Nova Delay
-Digitech JamMan Stereo

Let me know what you think about this piece… as well as what you think of looping solo performances in general by commenting below!

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Mar 6 2013

Pedal Board Breakdown – Jared Scharff – Saturday Night Live Band

It doesn’t happen often, but when it does, it’s pretty cool. What I’m referring to is when I do a Pedal Board Breakdown of a musician, and they contact me after the post is up. In this case, Jared Scharff contacted me to let me know he updated his board since the Rig Rundown video and wanted to know if I wanted to post that pic. Hells yes! For those of you that missed yesterday’s Pedal Board Breakdown, you can read it here: Pedal Board Breakdown – Jared Scharff – Saturday Night Live Band

After receiving the photo below, I noticed some changes between the two boards and through a couple of questions to him. He was kind enough to reply.

Pedal Board Breakdown – Jared Scharff – Saturday Night Live Band - Follow UP

- I see that you’re now using a Earthquaker Devices Disaster Transport, as well as the a Boss DD3/DD6 (couldn’t quite tell which version you had based on the pic). What led to the decision to run with these instead of the T-Rex Replica? Also, is there a decision to go with a mix of the Disaster Transport with the Boss delays?

Boss dd5 I believe. I wanted something warbly/analog ish and a digital delay. I like to combine delays and when I don’t, I think the boss cooperates a bit nicer with distortion

- This board is showing a Xotic BB Preamp, did this end up bumping off the JHS Morning Glory? In the original rig rundown I saw the BB Plus Distortion off the board as well. I know you like to play with different fuzzs and ODs/Booster. What are you shooting for when pedals go on and off your board with it comes to these boosters?

The bb preamp is to have a high gain option. I like the bbplus better but didn’t have the space. The Keely mod tube screamer takes the place of the morning glory.

This board is stationery so nothing comes off anymore. I wish I could have the flexibility to do that but it just is so messy. But why I like that is bc I like using diff pedals. All have diff characteristics and make you play/react a bit differently. So it’s just fun for me to experiment and keep it fresh.

Here is a breakdown of pedals on this updated board:

Boss TS-2 Tuner
Teese RMC Wah
Home Brew Electronics Ultimate Fuzz Octave
Xotic BB Preamp
Ibanez TS9 Tubescreamer (Keeley Mod)
Boss DD-5 Delay
Earthquaker Devices Disaster Transport
Sweet Sound Ultra Vibe
Analog Man Mini-Chorus
Cusack Tap-A-Whirl
JHS Mini Bomb

Thanks Jared for contacting me! The board looks and sounds great!

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Mar 5 2013

Pedal Board Breakdown – Jared Scharff – Saturday Night Live Band

A little while back Premiere Guitar posted the rig run down of Jared Scharff. He’s the guy in the Saturday Night Live band you seeing playing the Jazzmaster (a Fano JM6). I play a Jazzmaster myself, so I’ve always been curious about that guy. I watched the rig run down, and I thought it would be good to repost. Jared Scharff needs to play different styles of music and adapt to various situations and his pedals reflect this.

Here is the breakdown of pedals on the board:

Boss TS-2 Tuner
Teese RMC Wah
Ibanez TS9 Tubescreamer (Keeley Mod)
Home Brew Electronics Ultimate Fuzz Octave
JHS Mini Bomb
Sweet Sound Ultra Vibe
Cusack Tap-A-Whirl
T-Rex Replica Delay
Analog Man Mini-Chorus
JHS Morning Glory

Pedal Board Breakdown - Jared Scharff - Saturday Night Live Band

If you’re in a band that needs to hit a wide variety of tones and styles, this pedal board could be of some interest for you. As always, please comment if I missed anything or let us know your opinions of this board!

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Feb 27 2013

Pedal Board Breakdown – Scott Shriner – Weezer

I realized I haven’t done a pedal board breakdown in a little while. I was just talking with Shawn from Loud Button yesterday and he mentioned that a couple of pedals were on Scott Shriner‘s board (Weezer fame) and thought that might be a fun board to break down for today.

Scott is the third bassist for Weezer (and the longest running bassist for the band). I’ve been interested in his gear over the years, I know he likes to play with some great effects, and will also play aluminum basses (Travis Bean, Electrical Guitar Company) as well as some great Fender basses.

I found this photo taken by IdiotBox (who also has a pedal on his board):

Pedal Board Breakdown - Scott Shriner - Weezer

Here is the breakdown of pedals.

Pigtronix PHI Echolution
Loud Button WTF
IdiotBox Blasteroid Fuzz
Wren and Cuff Tall Font Russian
Black Arts Toneworks Pharoah Fuzz
Black Arts Toneworks Revelation Superlead prototype
Peterson Strobostomp II
Keeley True Bypass Looper
Loud Button Morphine Dream

As always, please comment below if you have any questions, opinions or if I missed anything.

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Dec 14 2012

Pedal Line Friday – 12/14 – Noah Cerveny

Today’s pedal line is from Noah Cerveny. If you have a pedal line (doesn’t have to be in a board) for your rig, please email me a photo, bio, description of pedals and routing to pedallineateffectsbaydotcom. Every Friday I’ll showcase a pedal line submission. Make sure you include any links to your band or music page.

Pedal Line Friday - 12/14 - Noah

Hi there!
My name is Noah. I’m a big fan of the blog! I play guitar in the noise pop band The True Jacqueline. Here’s our website: www.truejacqueline.com. We’re from Northampton, MA and we’re about to go on a tour of the midwest. I was taking pictures for insurance and figured I’d send one in.
This particular board is designed for touring. It’s pretty streamlined with some redundancy built in.

Most of the cables are homemade Mogamis.
ZVex Super Hard On: I got this from tryapedal.net and couldn’t give it up. It makes my guitar sound more like itself if that makes sense.
EHX Small Stone Nano: I bought this from a friend. It’s got a big washy sound to it. It’s a little intense and not for everyone but once you get used to it it’s great!
Bearfoot FX Mint Green Mini Vibe: An awesome sounding vibe with a tiny footprint and jacks in the right places for a pedalboard!
Bearfoot FX Honey Bee: I’ve owned a lot of overdrives and this one’s the best low-gain pedal I’ve ever used. It’s incredibly touch sensitive and it’s easy to make it sound like it’s coming from the amp’s preamp.
Keeley modded RAT II: Keeley makes a great pedal sound even better. I set the gain a little lower on this one.
Turbo RAT: This is from the first year they were made. I got this on a recommendation from Eric Gaffney. Such a great pedal. Touch sensitivity again!
TC Electronic PolyTune: You know what it does. Helps me tighten and loosen my strings so that they vibrate at the proper frequencies.
Stomp Under Foot 1970 Triangle Muff: Matt makes great sounding muff clones! He’ll work with you to help you find exactly what you’re looking for. We chose this one together.
Stomp Under Foot Violet Rams Head Muff: I use these for different tones depending on the song. This one has a bit more treble than the Triangle. I like putting a volume pedal in front of it and cleaning this one up.
Keeley modded Ibanez AD9: I got this pedal for $20 because “some metalhead” spray-painted it black. I’ve had it for a while and I don’t think I’ll ever get rid of it. It sounds warm and wonderful and the infinite repeats option is great!
4ms Tremulus Lune: I built this one from a kit. It’s optical which is nice and all those knobs make it very versatile.
EHX Memory Boy: A great sounding delay that can turn wacky at the turn of a knob or flick of a switch. It’s fun to run the infinite repeats from the AD9 through the tremolo into some crazy modulated delays!

So that’s it! At least for the next three weeks.

Thanks!
Noah Cerveny
The True Jacqueline
w       truejacqueline.com
m       reverbnation/thetruejacqueline
e       bandattruejacquelinedotcom

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Dec 7 2012

Pedal Line Friday – 12/7 – Jackson Floyd

Today’s pedal line is from Jackson Floyd. If you have a pedal line (doesn’t have to be in a board) for your rig, please email me a photo, bio, description of pedals and routing to pedallineateffectsbaydotcom. Every Friday I’ll showcase a pedal line submission. Make sure you include any links to your band or music page.

Pedal Line Friday - 12/7 - Jackson Floyd

Hello! Long time viewer, first time email-er, or something like that. I enjoy your site very much, especially since you update it all the time–unlike some sites! I play guitar in a number of bands in San Antonio. TX. These bands vary genre-wise, so I keep a variety of things on my board to cover the different realms. It all starts with my guitars. I play a Gibson Les Paul Studio 70′s tribute, a Burns Steer, a couple of Korean strats from the early 90′s, and a National-knockoff resonator that I’ve duct-taped the pickup onto the guitar. Here’s my pedal chain:

Z Vex Machine
MXR Dyna Comp
Electro Harmonix Big Muff Pi
Ernie Ball Volume Jr — tuner out to Boss TU3
Boss DS-1
TC Electronic Mojo Mojo
Keeley Katana
Boss TR-2 Tremolo
Line 6 M5, with Roland expression pedal
Electro Harmonix Cathedral
Electro Harmonix Stereo Memory Man
Malekko Ekko 616
Electro Harmonix Tube Zipper

For the most part it’s powered with a couple of 1 Spots, though the M5, Memory Man, and Tube Zipper all have their own power supplies. The surge protector’s attached to the other side of the board. As you can see, I’m a sucker for Electro Harmonix. I think they make very reliable pedals. I use a couple of old 60′s Fender amps of various sizes, so my basic tone is very clean. I like using pedals to overdrive or distort my tone, as opposed to an amps overdrive or distortion channels. I’ve used several hi-gain amps and just don’t think tonally they compare to my method. The M5 is my jack-of-all trades pedal, and it can do some especially cool things when paired with an expression pedal. I use the Memory Man as a short slap-back delay, and the Ekko as my longer, modulated delay. The Tube Zipper is at the end of the chain, which I know is peculiar, but it’s a placement I stole from Grizzly Bear’s Daniel Rossen, and I think it sounds great there! I have a couple of other things that find their way onto the board, like a
Death By Audio Total Sonic Annihilation feedback looper and a Russian Big Muff clone. If I’m playing with a number of different guitars, I’ll balance out the levels with A Boss GE-7 Equalizer. Thanks, and keep up the good work with the site! You can check out my bands here:

www.jasperscast.com(Jasper’s Cast–we’re a folk band);
badbreaks.bandcamp.com (Bad Breaks–kind of like Spoon meets Elvis Costello);
http://ronald-ray-gun.bandcamp.com (Ronald Ray Gun–we like 90′s music).

Jackson Floyd

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Nov 28 2012

Pedal Board Breakdown – Billy Corgan

My memory is a little foggy, but I believe that I first listened to Smashing Pumpkins back in 1991, but honestly I feel it may have been in 1990, but that really doesn’t mean anything. What I do remember, is listening to Siva off of Gish. At that time, I was just learning to play guitar. I had a Yamaha RGZ guitar and crappy Crate G-40 amp. I was just learning about distortion, very limited control, but was having fun playing with my friends. When I listened to Siva I was absolutely blown away by the dynamics. I had never heard anything like that before, the now-classic loud/quiet/loud algorithm of the 90s. I can think of countless hours of listening to Gish, and it is definitely one of my “foundation” albums that would be included in my life soundtrack. That sounds dorky, but I often think of periods of my life and associate those times with very monumental albums of the time – and Gish is definitely up there.

I of course continued to listen to their follow up Siamese Dream, but the immense popularity of the band started push me away. This is an incredible annoying bad habit I have. Sometimes when bands get too mainstream, it annoys me. This is no fault of the band, or the music, but my own hangups. I honestly think I’ve grown out of that now, but back in the mid-90s, that would often happen to me. I think, I need to rediscover Smashing Pumpkins again and listen to the stuff I arrogantly passed and catch back up. Of course, I’ll have to throw some Gish back in my listening library… just for good measure.

I’ve always kept a 3rd eye on Billy Corgan throughout the years after. I’ve always admired his playing, his tone and his song writing. So, I was incredibly excited to see Premiere Guitars’ Rig Rundown on Billy Corgan’s gear.If you aren’t following Premiere Guitar’s YouTube Channel, I highly recommend it.

Immediately in the interview, I was very interested in what he is using for amps. He’s using Salvation Mods to create small compact pre-amp modules to model is classic amps. I didn’t realize how many styles/types of amps he’s used in his career (showing 8 modules), but it makes sense, and a system like this is perfect for him! I hadn’t heard of Salvation Mods before, this is a great “new” product to look at.

Pedal Board Breakdown - Billy Corgan - Salvation Mods

Here is a shot of Billy’s pedal board. Back in August I posted Billy’s rack, which is incorrect. I’m very glad that Billy took the time with Premiere Guitar to do this rig run down! I was very surprised to see how trim the pedal selection is, and how much he is relying on the amp tones.

Pedal Board Breakdown - Billy Corgan

Here is the breakdown of pedals:

Skreddy Echo
MXR Phase 90 x2
Keeley True Bypass Loopers x3
Fulltone Catalyst
GTC Super 72 “Bloody Finger”
Chicago Iron Octavian
Boss PH-3 Phase Shifter
Strymon El Capistan
Strymon Favorite Switch
MXR Custom Audio Electronics MC403 Power System
Rocktron All Access Controller

Were you a fan of the Pumpkins back in the day or today? Let me know by commenting below!!! Also, if you’ve used Salvation Mods, I would love to hear what you think about them!

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Oct 25 2012

Pedalboard Break Down – Jonathon Mooney – Other Lives

Other Lives - Top Hat - Missoula MontanaA while back, I saw a tweet by @WalrusAudio mentioning that a Oklahoma band just got a gig opening up for Radiohead’s tour. That band was Other Lives. I’m always on the hunt for new music, and to secure a opening slot for a major band like Radiohead is a pretty worthy achievement for sure, so I wanted to learn more. The first video I saw was For 12 (from their Tamer Animals album), and from that moment on, I was sold and hooked on Other Lives.

It’s extremely hard to pin down exactly *why* I like that band. I know friends that give ‘em a shrug, but for me there is something incredibly special that I connect with. I’m definitely a fan of atmosphere, and wanting to connect on a emotional level with music, so that could be it. But I also feel it could be related to the orchestration. Each little sound has it’s place, and you can tell, it was thoughtfully  placed. I’m not sure. All, I know, is that I like this band very much.

PedalBoard Break Down - Jonathon Mooney - Other LivesAbout a month ago, I was super excited to hear that the band was planning on playing in my home town which was completely surprising. A chance to see this band in a very intimate and small venue – wow! So the other night, I got to witness this band live. Going in, I had super high expectations, but these expectations where blown away with what I saw. This band is simply amazing live. I had NO idea how much work they put into reproducing the album on a live stage.

The band is a 5 piece, and some of the members would play multiple instruments during each song. Jonathon Mooney in particular would play guitar, trumpet, violin, keyboard and xylophone. Crazy. So today’s pedalboard break down, I wanted to feature Jonathon Mooney. His guitar work was really great. He plays a Fender Telecaster through some type of Fender tweed combo (not sure what exactly) – and the tone was exceptional.

PedalBoard Break Down - Jonathon Mooney - Other LivesBoss TU-2 Tuner
Electro-Harmonix Cathedral Stereo Reverb
Boss DS-1 (Keeley Mod)
Walrus Audio Voyager Overdrive
Tech 21 – NYC – Midi Moose

The Tech 21 seems to be  a big part of what he was doing. It appeared to be tied in with a Mac and doing loops with some of his instruments.  Guitar tones were a mix of strong single note runs, as well as a fast strumming single notes with ethereal reverb. I was eating it all up.

For those of you interested in the video I originally saw – here is For 12. If you get a chance, please catch them on this tour.. you’ll be glad you did.

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