Aug 30 2010

What Makes a Guitar Sound Amazing?

The following is a guest post by Norman Harris of Norman Rare Guitars in Tarzana, CA. If you are interested in guest posting, please contact me!

Norman Rare Guitars

Here’s a simple answer. A great guitar player. Other than a great player, a great instrument, that is in good playing condition that is well constructed with good woods and is well adjusted.

Fine Tone Woods
Quality tone woods are in very short supply these days. There have been embargoes placed on quality woods due to environmental restrictions. Tampering with rain forests, cutting down trees, has left a void and because of such high demand for these tone woods, it is very difficult to find quality aged tone woods. Back in the day, woods used to make fine instruments were aged 50 to 100 years prior to them being used on instruments. These days because of demand, woods are being artificially aged. This is not the same as the natural process of aging. Brazilian rosewood is in very short supply and rare woods dealers are finding their stash diminishing each year.

Spruce, which is the preferred wood for tops and sound boards of guitars, is also in short supply. Adirondack spruce, which is some of the highest quality used for sound boards, is extremely scarce. Substitutes of lesser quality have to be used in order to keep up with the worlds thirst for fine instruments.

Fingerboard materials such as ebony and rosewood are also becoming scarcer. Manufactures are looking for alternative substitutes for all these woods. Good woods make for fine sounding guitars.

Fine Design
A guitar will only sound as good as its design and construction. Bracing patterns, neck shapes, fret sizes, neck angles, bridge design are all part of the design components that make up a fine sounding guitar.

Fine Luthiers and Manufactures
Each Luthier and manufacturer has their own style and design that they prefer. This is what makes each guitar sound different and have its own personality. Acoustic guitar makers each use their own preference in wood, bracing, and cosmetic design. This is what makes each brand slightly different from the next. Electric guitar manufacturers use different pickup designs and each produces a different sound. For instance Gibson Humbucking pickups produce a fatter and warmer sound than Fender’s single coil pickups. Rickenbacker pickups produce a chimey sound associated with groups from the British invasion. Gretsch guitars use DeArmond pickups. This is the choice of many Rockabilly musicians. Other manufacturers use variations to come up with and produce their own sounds.

Pickup Alloys
The wire used to wrap pickups in the old days used specific alloys, many of which are no longer available. Manufacturers have tried to go back and figure out what they used years ago to produce the great sounds these pickups were getting. The amount of winds used, specific metals that were used, and other factors are being studied to come up with the best combinations to enhance tone.

A Guitar being in Fine Adjustment
A guitars set up is of prime importance to its tone. If the action is too high or too low, a guitar will not produce its optimum sound. If a guitar’s frets are not dressed properly, a guitar may sound more like a sitar than a guitar. Materials used at the nut and the bridge also determine a guitar’s tone. Pickup, height adjustment on electric guitars also is very important to maximize a guitars tone.

The bottom line is that nothing makes a guitar sound good but a great player. Great players need fine tools, just like a great carpenter needs fine tools.

When all of the above is in fine order, voila great tone!

Keep rockin and pickin!

Norman Harris is the owner of Norman’s Rare Guitars in Tarzana, California. Norm specializes in high end vintage guitars in addition to basses, amps, and accessories.

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Aug 15 2010

Boneyard slide – Dunlop Joe Perry Signature guitar slide

Dunlop Joe Perry Signature Guitar Slide Large/LongToday, I posted the interview with Trace Foster, but DunlopTV also had a interview with Joe Perry himself. In the video they talk about the boneyard slide and how Joe Perry got into slide guitar. I personally don’t do much/any slide work, but thought I would bring this up for others that are into slide.

Here is the official description of the slide:

Designed in conjunction with legendary Aerosmith rocker Joe Perry, this porcelain slide sounds soulful and bluesy, whether on an acoustic on your front porch or on a screaming electric in a packed stadium. The Joe Perry Slide comes in three sizes and features a porous interior to absorb finger moisture.

You can pick up the Dunlop Joe Perry Signature Guitar Slide for $14.99 at Musician’s Friend.

Popularity: 2%


Aug 14 2010

Guitar Zen

Today, I’m going to break away into something different. This last Thursday, I played a show with a new band, and this was our very first show (we only had about 6 practices all together) so we were pretty excited to play. Thursday night shows bring a pretty limited crowd, but I always said that one show is worth about ten practices, and every chance we get to play the sooner things tighten up.

The week leading up to the show, I spent about one to two hours a night/day practicing the set using my guitar trainer, and things were feeling good and natural. I have a tendency to crash if I’m thinking or anticipating sections, so the more muscle memory the better (for me). I even threw in a two hour practice pre-show to get things limbered up.

We were set to play first and after getting the gear set up began the ‘hurry up and wait’ stage. This usually involves two cans of PBR tall boys and various funny discussions with the band and the other bands. Finally, it was time to rock. First song went fair, but literally, the next six songs or so, I was the biggest shit bag on stage.  Literally, when the song started, I would momentarily forgot how to play the riff and would somehow recover and limp back in or just hose the riff and come back in after screwing up the start of the song. This of course, started a snowball effect with my confidence and the process of over thinking which leads to more errors and slop. Frankly, I couldn’t wait to get off stage. Luckily by the last two songs, I finally got my head out of my arse and was able to play those fairly well.

Getting off the stage, and hearing “That was awesome” and “you were great” from the wife and other band members including the other bands, etc.. just made me feel worse. I knew it was shite, and I know they knew it was shite. So why am I fessing up this lame story that I seriously would like to forget? Simple, I want to learn from it…

- how do you guys prep for shows?
- how do you not overthink while playing
- how do you guys recover from disaster mid-set (mentally, emotionally, etc)

The things that I noticed if I could go back in time. Warm up prior to getting on stage (10 minutes) I normally do, but for some reason I didn’t this time. Since this was the first time we were on stage, our line up from the practice space was completely different, and now I realize how much visual and audio cues I need instead of ‘knowing’ the songs like I thought I did. I need to secure my cables better (our front man accidentally pulled my instrument cable out of my board 3 times). That didn’t help with the fiasco as well, but again, these are things to learn.

Oddly, the leads were okay for that night. The easy stuff.. was failure.

So why ‘Guitar Zen’? As a hobby I was involved with competitive pistol shooting (you know I’m from Montana right?). Well in that circle you hear a lot about shooting zen. You know.. like bow and arrows.. “be the arrow” stuff. It’s basically related to one chance.. one shot, and how to be in the proper mental state to ‘succeed’. Chocking is huge with shooting, lots of pressure for the moment to perform at your best. I definitely can see the relation with that and guitar.. and to anything for that matter. I didn’t really make the connection until Friday morning mulling over what happened. Any guitar zen tips for me? Comment below!

Popularity: 3%


Aug 9 2010

GuitarConnect Cable

GuitarConnect Cable - Griffin Technology

Wow, talk about being overwhelmed! Had a great vacation in Newport, OR and I returned to a flood of emails and my to-do list is.. HUGE. Over the weekend, Griffin Technology contacted me to let me know about a product that the EffectsBay.com readers might be interested in.. and I think they might.

It’s the GuitarConnect Cable for connecting your guitar to a iPhone, iPod touch or iPad and use applications like iShred. I’m ‘assuming’ this could be used with the TC Electronics Polytune’s iPhone app as well, but I cannot confirm. Basically, it’s a 1/4″ input that plugs into your guitar and has a 6′ cable to your device. Cost is only $29.99.

Here is a sweet little demo using a iPad.

Popularity: 4%


Jul 30 2010

Let’s talk about Interpol – the band

I missed it, but the other night Interpol was on Letterman, but with the magic of YouTube, I was able to view it. Interpol played ‘Barricade’, a single that is currently on iTunes and off of their upcoming self titled new album (I can’t wait). I have to say I really dig these guys. I definitely have a thing for the baritone vocal style (ala Joy Division, National, etc).

Here is the video (provided by davegrohlsfreshpots,but I think TheAudioPerv.com captured it?)

I noticed Paul Banks (the singer/guitarist) was riding a Pedaltrain 2 pedal board, it got me thinking about gear. From this performance, I was unable to see what pedals were there, but I did find a photo on flickr (http://www.flickr.com/photos/lavid/4130457946/ lavid has some other great shots of other artists, too!) of Paul with a decent shot of the pedal board. The photo was taken (or at least uploaded)  on 11/23/2009, so it’s fairly recent.

Paul Banks - Interpol

Based off of this shot, I see the following:

Electro-Harmonix POG2 Polyphonic Octave Generator
Blackstar HT Series HT-DUAL Tube Distortion
Boss DS-1 Distortion? (bottom row, second from left)
WayHuge Aqua Puss
Boss TU-2 Tuner
MXR M-401 Boost Pedal (top row, left) – not sure.. possible carbon copy?

If you have any more information, please comment below.

Popularity: 5%


Jul 29 2010

Source Audio Online Jam Session

Source AudioI just received an interesting email from Will Cady of Source Audio. He mentions their blog post today, where they’re trying to get a online jam session going on with Source Audio pedals. Basically, Will built a few tracks on top of a drum track, you can download the extended outro (via SoundCloud). Below is the YouTube video with Will jamming:

Source Audio is encouraging others to download the track and shoot video of themselves playing on top of it. They’ll post the video on their blog and Facebook page. It can be bass, guitar, etc.. just as long as it’s using a Source Audio product. For all the information and to download the track, check out this post!

Here is an example with Bryan Tyler:

This totally sounds like a fun project!

Popularity: 3%


Jul 26 2010

Rethinking Guitar – Applications and Effects Part 1 – Guest Post

The following is a guest post by Kevin Ian Common. If you are interested in guest posting, please contact me!

Hello Kind Readers!

As the only guitarist in The Common Men, I enjoy taking a break during songs and letting the bass and drums take over. I consider my role as the sprinkles on top of a cupcake, if you will.

However, I sometimes like to take simple chords to the next level. I used to spend days learning songs and trying to find new ways to twist the chord changes. This was the easiest way for me to develop my own voice in playing guitar.

The chord progression is from a well-known 80′s song “Under The Milkyway” by The Church. Here are the chords:

low – high EADGBe

Am: X 0 2 2 1 0

A7sus4: X 0 2 0 3 0

Fmaj7: X 3 3 2 1 0

G: 3 2 0 0 3 3

I’ve taken the chords and added my own touch to them. Here are the reworked chords with an explanation of what I did:

Am9: X 0 7 5 0 7

The B natural in this chord add a lovely quality and is the 9th in the A minor scale

A7sus4: X 0 7 7 0 5

While I don’t have the G which would make it a 7th chord, the bass plays the G, which implies the 7th

Fmaj7: X X 7 5 6 0

I just took the chord up to the fifth position and added the open E string to make it a Maj7

G: X X 9 7 8 10

G chord in a different position. The high D gives it a lovely shimmer to it

I have also added the Behringer Echo Machine to a shimmer setting. It’s known as the “U2 Shimmer” and it sounds like a synth pad behind my guitar. I also add a fast delay on top of it.

I love using effects pedals. I think they can really augment a progression. However, a little knowledge of chord functions and a little ingenuity can add a uniqueness to your playing as well!

Thank you for reading!

- Kevin Ian

Kevin Ian runs over 20 pedals. He is quite the tap dancer live on stage! He is currently the frontman/guitarist for The Common Men. You can find them on MySpace, Facebook and Twitter. Please direct questions and comments to

Popularity: 3%


Jul 20 2010

Last day to enter to win StageTrix Pedal Riser

StageTrix Pedal Riser Give Away!The StageTrix Pedal Riser give away will be ending today at 12PM MST, so this is your last chance to enter for your chance to win! If you have not entered yet, you can do so here. For the people still not sure what the StageTrix Pedal Riser is all about, here are a couple of videos that help describe what it can do for you.

Here is a video by GearAlley at NAMM with the folks at StageTrix

Here is the official product video by StageTrix

Remember, today is the last day to enter!

Popularity: 2%


Jul 18 2010

Brian May’s Guitar

So I have to start out by saying something potentially controversial…. I’m not a Queen fan. Okay, so that’s out, but I have to say, I definitely respect the ability and tone of Brian May. I definitely get it.

I remember reading out how he built that guitar when he was a kid, but I didn’t realize it was literally built with items found. Neck from a fireplace mantel, body from a table, trem arm is a knitting needle and various bike parts. Truly amazing that he and his dad put this together, and actually works as well as it does without having prior luthier knowledge.

Here is a older video from 1992 (submitted by neilmurraybass) where Brian May goes into detail about the guitar. Very cool.

In the video it mentions that there are reproductions of this guitar, so I had to see for myself, and yep you can pick up the Brian May signature guitar for $799 at Musician’s Friend.

The Brian May Signature Electric Guitar features an acoustically chambered mahogany body, a dual truss rod mahogany neck, and ebony fingerboard. The pickups are Tri-Sonics that Brian sealed in Araldite adhesive to prevent microphonic feedback inherent with metal covered pickups. These are controlled by the original Brian May switching system with individual on/off and phase switches, one volume and one tone pot.

Popularity: 3%


Jul 18 2010

Community Question Results – What’s your favorite band/album.. at the moment.

The other day I thought I was in a rut of music listening, so I wanted to ask a community question – What’s your favorite band/album.. at the moment. When I ask this, I’m not referring to your all time favorite, but the band/album you can’t seem to get out of the MP3 player. Could be a brand new acquisition, etc. I saw some really great stuff. Some I knew.. and some I’ve never heard, so I’ll be checking those out for sure!

Facebook

Todd Stanton veil of maya- id
Bertram Dh the dead weather, 100% !
Jeff Suter Green Day, 21st Century Breakdown is such an underrated album. And while it has quite a bit of piano, it is a serious rock guitar album IMHO.
Luis Rodríguez Backspacer, Pearl Jam
David Caplinger Tony danza tapdance extravaganza – Danza III
Brad White Daughters – S/T
Kevin Ian Interpol – TOTBL and Bowie – Station to Station… tie :)
Santiago Pérez Constanzó Sumo – After Chabón
Ben Brandt Alter Bridge – One Day Remains
Jack Wallsten The National – High Violet
Steve Gerlach Hawkwind – PXR5
Austin Remington Saturdays = Youth – M83
Dave Gonsalves James Gang “Rides Again”
Christopher Keith Young The Duke Spirit – Neptune
Jonathan Holloway Gifts From Enola – Gifts From Enola
Tomonthly J. Meldville The Unbeheld – In the Arms of Mother Chaos
Glen Tenoff TV on the Radio – Desperate Youth, Blood Thirsty Babes
Marvin Misanthropy Revocation – Existence is Futile
Chris Mintie Anything mars Volta, but I have to say the new dead weather album is amazing!
Fuzz Stang NRBQ – “Scraps” It’s truly music to my ears!!!

Twitter

@stevekeagle @effectsbay Marty Stuart and the Fabulous Superlatives! Awesome Band
@paulfinney @effectsbay favourite band/album at the moment has to be new junk aesthetic by every time I die. Or my band @stoveband new ep ;)
@nogoodguitarpkr @effectsbay Digging “Haywire” by @joshturnermusic right now.
@Guitarinsight @effectsbay The wife has me enjoying Keith Urban. The man can play guitar! We are seeing him in a couple weeks. Looking forward to it.
@Literate_Monkey @effectsbay Favorites: Doolittle-Pixies, Spilt Milk-Jellyfish, Copper Blue-Sugar, 1984-Van Halen, Appetite-GnR and the list goes on…
@Literate_Monkey @effectsbay lately I’ve been listening to the new SmashingPumpkins tracks, Zwan, the Sufferer & the Witness By Rise Against & HHNF by Civet
@TOMBTHEMUSICIAN @effectsbay The Murderous http://www.myspace.com/themurderous
@jcrusso @effectsbay Minus The Bear…
@indrapjg Them Crooked Vultures RT @effectsbay: Community Question: what’s your favorite band/album.. at the moment. I’m not talking all time favorite

Thanks everyone for your responses. If you were late to the question, please post your answer below in the comments!

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