Gil Divine from Portland, Oregon is the owner/operator of The Divine Noise and builds high end instrument and speaker cables. Beyond The Divine Noise, Gil is also a guitar tech touring with great artists/bands such as – Yo La Tengo, Lucinda Williams, The White Stripes, Cat Power, Super Furry Animals … And you will know us by the trail of dead.
On a personal level I’ve traded a few emails with Gil, and he is a great guy and very prompt. I just received a few very needed patch cables from The Divine Noise, and the build quality is excellent. He definitely treats his patch cables with as much attention to detail as instrument cables, etc. Here is the break down of features for his straight cable specs:
* Extraordinarily low capacitance 20 AWG stranded center conductor, 100% coverage extruded barrier and a spiral of 90% wound copper shield provide clean, low-noise performances
* The oxygen free copper used in these cables delivers the purest sound quality while remaining flexible and noise free
* Thick, heavy-duty, black PVC outer jacket designed to withstand the rigors of heavy touring while maintaining flexibility
* Every cable is soldered by hand using the highest quality silver solder
* Available in G&H Industries ¼ plug and Neutrik MP2X-AU-SILENT
* Divine Noise offers a lifetime no hassle warranty on every cable
My cables came with G&H and work/sound fantastic. They’re definitely built to last.
I wanted to send Gil a few questions about the biz, and this is what he had to say:
- What makes your cable stand out from others?
There is a few things that make my cable stand out from all of the others , the first that come to mind is the quality of construction, I personally make all of my cables, I have never seen a cable as durable as mine, they are built for heavy touring . My cables are well shielded to block RFI / EMI interference so they are very quite. They sound great!!! Tone is so subjective, so it is hard for me to make the claims that other cable companies do, most of them are downright comedy, how can they tell you that you are going to hear a “Tight, articulate bottom with midrange clarity and speed”?!
- How do your cables handle capacitance?
My cable is 30pF per foot, which is fairly low, but not the lowest - I have tried cables with less capacitance and to me they sounded kind of shrill and lacked bottom and warmth, those two qualities are so important to me in a cable. Ive never been into a sterile guitar tone, I want a cable to sound how a vintage guitar should sound; without any coloring of the tone. I think that’s why people love the sound of my cables, because a vast majority of them play vintage instruments
- Side questions, what are your thoughts of buffers in line?
It is kind of a case-by-case basis. It really depends on how many and what types of pedals you’re playing through. Most of the times I lean towards turning up the treble, if I loose a bit of treble from capacitance from using a super long cable or a low impedance from the pedals. I don’t think that there is a black and white answer, it really has to be addressed on a case by case application.
- What type of plugs do you use?
I have been using G&H plugs for well over a decade, in my opinion, they are the best, and are very reliable (which is important to me) with the exception of their silent plugs, that’s a different story. They are not so silent..
As for silent plugs I use the Neutrik silent plugs, their design can’t be beat. When they first came out there were some problems, but since they fixed it I have not heard a single pop from a bass or an acoustic guitar since.
I think that the plugs that you use is just as important ( if not more important) than the wire that you use. I do not use gold plated plugs, gold is not as great of a conductor as copper . Beware of the ends that are on some of those “high-end” cables before you buy them, some of them are very low quality
- What are your thoughts about what causes cable failure?
Well, there could be a few different reasons… but the most common is shoddy components. I have seen a lot of failures in cables with molded plastic ends, thin outer jackets that gets smashed or torn easily. I have honestly, unpacked a Planet Waves cable from the package, plugged it straight into a guitar, and not have it work, for no reason at all! I have also had the center tip just fall out of a Monster cable in the middle of a show, out of nowhere.
Abuse is another reason for premature failures. When I first started making my own cables I closely really examine cables that had failed on me to see what made them fail. I took what I learned and applied it to my cables. The last thing any touring guitar tech wants is a cable failure during a show! That’s why I can never get behind solder-less cables. They seem so flimsy. It doesn’t take a whole lot to short out a cable; one stray strand of copper or a loose connection is all it would take to stop a show. I remember my first few shows that I did with “…And you will know us by the trail of dead”, I would watch them rip the connectors clean off of the cables!! That is when I saw the challenge of building cables that they couldn’t destroy. I came up with my right angle speaker cables by watching them push over their Marshall half stacks. It would snap off the jack on the cabinets and in the head. Having a band that destroys their gear every night is the best R&D department a builder can have, maybe throwing one of my cables in a cage with a bunch of gorillas would be comparable….HA! I still build my cables the same exact way- that is why I say that my cables wont fail. Yo La Tengo still uses the same cables that I made for them 8 years ago!! And they’re not particularly easy on their equipment!
- What got you into building cables for the masses?
I never set out to sell my cables to the masses, it just kind of happened. I make them in my shop where I do guitar and amp repair, so my overhead is really low. I have been making my cables for many years, and I would sell them to my customers who I did guitar and amp repair for and to the bands that I worked for or contacted me wanting to buy them . No packaging, no marketing, just word of mouth. Anyhoo, last March my friend Rueben Cox opened up a guitar store in LA called Olde Style. He had heard of my cables and asked me if I wanted him to stock them. It was kind of a no brainer for me. His shop is the antithesis to your Guitar Centers or Sam Ash’s, which I have always loathed. He was the first store to stock them. After that it just been more of a challenge to see what I can do with this; first the packaging, then the website, and online ads. I personally feel that my cables are the best on the market, so why wouldn’t people by them?!
- What got you started in the guitar tech biz?
Basically I came to a cross roads in my life..either I can continue touring in my own bands and make no money, or I can tour as a guitar tech and make a good living. At this point I had years of experience as a luthier, so having a ton of experience with guitar repair made for a natural transition.
- Do you force all of your clients to use your cables on the road?
Wow, Im not a cable nazi..HA! . No, I never force anything on my clients, but why wouldn’t they want to use them ?! When I am on tour with a band, I am their guitar tech, not a cable manufacturer, as long as the cables that they are using sound good , are quite but most of all reliable, then I don’t care what they use There are quite a few bands that use my cables that I have never worked for, such as The National, Britt Daniel of Spoon and Nels Cline.
- What is the number one reason why we should be using your cables?
That’s easy…because you want to use the best cable available… period
So there you go people, if you’re looking to get some new cables, be it patch, instrument or speaker, check out The Divine Noise. Additionally, as Gil mentioned he is a luthier, he does offer guitar and amp repair as well! You can also check out Divine Noise on Facebook!
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