Today’s pedal line is from Robin Foster. If you have a pedal line (doesn’t have to be in a board) for your rig, please email me a photo, bio, description of pedals and routing to email@example.com. Every Friday I’ll showcase a pedal line submission. Make sure you include any links to your band or music page.
As promised here is my current (as in more or less stable but no doubt will change) set-up. A few things change here and there as it depends on if I’m playing an instrumental set or if I’m playing with the wonderful singer that is Dave Pen.
So here goes:
Various guitars, mostly old 90’s Epiphone Rivieras / Sheraton or one of my Jazzmasters (japanese and chinese, yes a chinese Fender Jazzmaster that plays like a dream!). ..I’m no purist when it comes to gear, my favourite guitars are often the cheaper ones for some reason, though there are a few upgrades and I must mention a big-up to the marvelous Curtis Novak who does me ridiculously great deals on his pick-ups which are in most of my guitars. into:
– Biyang Compress X : I got this as a back up for my MXR Dyna comp but this is twice the pedal the MXR was so it rightfully took it’s place. It’s a great soft compressor, very quiet and subtle, unbelievable bargain. I leave it on most of the time.
– Tc mini Polytune : nice little tuner that tunes and is little and nice
– Boss MO-2 multi overtone : this replaced my micro pog, it’s not quite the same but I actually prefer it now, it’s a quirky little pedal great for organ sounds or beefing up a fuzz/disto
– EHX Glove : Haven’t had this long but it’s an instant hit for me. I think it has so much range for an OD, I had an OCD and Kalamazoo in this board spot for a few years and the Glove can do both those tones and more, really versatile little pedal.
– Zvex Box Of Rock : I got this after touring Germany supporting Archive last year , their guitarist Mike put me on to it. I leave the boost on all the time for the colour it gives, basically a super hard on, the drive side is set for low gain, sounds perfect for me into a clean fender.
– Moog MF Drive : Still getting used to this one, it’s almost too versatile, quite hard to dial in the sweet spot, but it can cover more ground than most distortion/fuzz pedals once you get used to it. It’s very cool for old beaten amp sounds, cocked wah and monster fuzz… Hopefully I’ll bond more with it.
– MXR Micro Amp : Had this for donkeys years, always use it for recording and live for adding extra girth, yes girth, to the overall sound when needed.
– Boss DD-20 : had this on my board for more than a decade, built like a tank, reliable workhorse… I use this live on everything. It’s an absolute must for me. I love the warp and reverse settings on this pedal, great for filling the void.
– EHX Freeze : 3rd one I’ve had, great pedal but doesn’t like the PP2+
– Strymon El Capistan : I just love this thing, it’s all over the last soundtrack I did.
– Strymon Flint : great two in one pedal, use the stereo out into two amps.
– Boss RC-2 : I use this as a sampler, it’s full of quirky little soundbites from films and there’s a couple of guitar loops on there too for good measure.
– Not shown but worthy of much love is an Orion Effekt “Motor Fuzz”. My live guitarist Gaetan and I got these from Orion Effekts in Germany after trying them on our last tour. My only true fuzz, use it a lot for recording. I also use a Boss Slicer for soundtracks, great with any instrument.
I used to hook all these up with a long daisy chained one-spot and a couple of single adaptors but when we were on tour with Archive their guitar tech JP looked at my board shaking his lovely French head in disgrace so I immediately buckled to peer pressure and got a PP2+ ( but the one-spot is still there). All this usually goes into an 1968 Ampeg Gemini 15 and a heavily (heavy handed) modded Fender Blues Deluxe.
My son is on the board to give me extra super human powers during concerts.
Thanks for listening 🙂
Hank – Robin.. you guys sound great! For those interested, check out the video below: