Mar 13 2013

Tony Levin on the Electro-Harmonix Deluxe Bass Big Muff Pi

Tony Levin on the Electro-Harmonix Deluxe Bass Big Muff PiOkay, I need to first start this out with – I’m a HUGE fan of Tony Levin. I mean come on, he is one of the greatest for sure. Back in the day I was super into King Crimson and Peter Gabriel. The man can play some tasty bass and has some innovative and creative style!

So when I see him talking about the Electro-Harmonix Deluxe Bass Big Muff Pi, I wanted to stop and point this out. If he’s giving it a thumbs up, it’s worth a very close look.

Here are quick break down of features of the Electro-Harmonix Deluxe Bass Big Muf Pi:

Pad on the input that’s switchable between 0dB and -10dB ensures the pedal is optimized for use with both passive and active pickups

Blend allows a player to mix to taste the direct and distorted signals

Three outputs: a 1/4″ effect out, 1/4″ direct (buffered dry) out and XLR DI out give complete control of your output signal and sound

Foot-switchable crossover section with a variable low pass filter on the dry signal and a variable high pass filter on the distorted signal give bassists the ability to sculpt their sound

Crossover circuit, in conjunction with the Blend control, lets you keep the low-end clear and focused and the high-end bright and cutting

Built-in noise gate with an adjust threshold eliminates unwanted noise at any level

Tony definitely liked the ability to blend signal with fuzz as well as the built in noise gate. Below is the video I was referring to:

If you’re interested in picking up the Electro-Harmonix Deluxe Bass Big Muff Pi, it’s currently available for a very affordable price of $118.46 at Amazon.com!

 

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Mar 4 2013

Electro-Harmonix Micro POG Demo

Electro-Harmonix Micro POG DemoThis morning I saw EHX mention a demo video of their Electro-Harmonix Micro POG by JJ. This is the second video I’ve seen by JJ demo’ing pedals, and I have to say he does a great job of both demonstrating what the pedal can do as well as explaining the controls and techniques in a very simple way. The POG is a great pedal, I actually own a POG2, and one can totally get lost creating some interesting sounds with it. The Micro POG is the POG2 but scaled down. Having only 3 knobs makes options quicker and easier to get to. JJ also uses some EHX Cathedral Stereo Reverb which works well with the POG.

Here is the demo video by JJ (janjaaptanis):

If you’re interested in the Electro-Harmonix Micro POG, I found a nice deal at Amazon. Currently, you can pick up the EHX Micro POG for $212.74 at Amazon, but it comes with a few bonus items (I’m a fan of the bundle). With this purchases you get 2 6″ Patch Cables, 2 10′ Instrument Cables and 2 18.6′ Instrument Cables. So a total of 6 cables!

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Feb 18 2013

Electro-Harmonix 45000 Multi-Track Looper w/Reggie Watts

Electro-Harmonix 45000 Multi-Track Looper w/Reggie WattsI love my state of Montana, and I love it when guys from this state make some noise. Reggie Watts is one of those artists that is doing some great things and as a fellow Montanan, I’m super proud of his accomplishments! If you have not heard of Reggie Watts… um, you need to check him out, like now.

Official Website
YouTube vids

Reggie is known for using various loops to create some amazing performances. I remember seeing him use Line 6 DL4s for a while, then he moved on to a EHX 2880 looper, but this morning I saw a fantastic demo by him on the new Electro-Harmonix 45000 Multi-Track. This really shows what the unit is all about, and obviously, some outrageous things could be achieved with guitar/bass/keys as well.

Here is the official description of the EHX 45000 Multi-Track Looper:

Building on EHX’s looper legacy, the 45000 combines the familiar controls of a multi-track digital recorder with state-of-the-art features making it possible to create complex multi-track loops quickly and easily. Each loop has four mono tracks and one stereo mixdown track. The 45000 records non-compressed, 44.1kHz/16-bit CD quality audio direct to a removable SDHC card (4 to 32GB). Each card holds up to 100 individual loops accessed with the optional 45000 Foot Controller (sold separately). Loop speed is adjustable over a two octave range, and reverse recording and playback are also possible. For extra convenience, a built-in metronome to a separate Monitor Out and a Headphone Out are also included.

The EHX 45000 Multi-Track Looper is available for $476.21 at Amazon.com

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Feb 8 2013

Pedal Line Friday – 2/7 – Panos Sakkos

Today’s pedal line is from Panos Sakkos. If you have a pedal line (doesn’t have to be in a board) for your rig, please email me a photo, bio, description of pedals and routing to pedallineateffectsbaydotcom. Every Friday I’ll showcase a pedal line submission. Make sure you include any links to your band or music page.

Pedal Line Friday - 2/7 - Panos Sakkos

Hi!

My name is Panos Sakkos, I am 23 years old and composing mostly blues rock stuff

This is my current line up, which consists of

tc electronic polytune -> mxr amp (for boost whenever I need it) -> mxr 10 band eq (with mid boost always on) -> Big Muff Pi (12 o’clock settings) -> ehx nano holy grail (at 12-ish) -> whammy 5 (2 octaves up or 1 down), all powered by the mxr dc brick.
The Whammy 5 is controlled with the one trick pony cycle path 05 and my Fender Super Champ x2 controlled with its footswitch. The effect that I use on the SCx2 is the slapback delay

Cheers!
Panos

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Jan 30 2013

Pedal Board Breakdown – Bob Mould – Husker Du/Solo/Sugar

This last weekend, flipping through channels, I hit Austin City Limits. ACL is great. Sometimes hit and miss based on musicians I like, etc. But this Saturday, I changed to it and immediately recognized the band… or specifically the individual. We’re talking Bob Mould!

I remember being a Junior in High School listening to Husker Du. Can’t remember which album (doesn’t matter.. they’re all great). I remember it was on vinyl and one of my older friends ‘educating’ me on some music. Great education. But it was years later, when Bob blew my mind. It was the early 90s and I was super into his solo stuff. Black Sheets of Rain and Workbook on cassette. I remember Workbook was completely worn. You couldn’t read any writing on the tape. Was constantly rolling in my car in those days. His lyrics and capture of ‘mood’ was stellar and really hit the spot for me. Not too long after Sugar came out. Going back to some heavier, louder stuff again hit the spot for me. Sadly, I stopped listening to Mould after Copper Blue. I have no idea why.

Occasionally, I would hear a song or two on the radio or at friends, and every time, it made me think of good times. I really enjoy his music, and damn it, it’s time to re-explore. I was super stoked to see him on ACL.

Just like when Arcade Fire played on ACL, their blog showed their gear, and I was very stoked to see the pedals that Bob was using for that performance! Please check out Austin City Limit’s blog (I personally love following this blog).

Pedal Board Breakdown - Bob Mould - Husker Du/Solo/Sugarphoto taken by Kevin Chochran

So we’re talking the following for pedals:

Aphex Punch Factory (older style)
Electro-Harmonix Freeze
TC Electronic Flashback Delay
MXR M104 Distortion+
Boss TU-2 Tuner (Possible TU-3)
Boss NS-2 Noise Suppressor
Voodoo Lab ISO5 Power

Here is the Bob Mould performance. Give it a watch!

Watch Bob Mould / Delta Spirit on PBS. See more from Austin City Limits.

So what do you think of Bob Mould? Husker Du? Solo stuff? Sugar? Comment below!

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Jan 25 2013

Pedal Line Friday – 1/25 – Alvaro Martín Gómez Acevedo

Today’s pedal line is from Alvaro Martín Gómez Acevedo. If you have a pedal line (doesn’t have to be in a board) for your rig, please email me a photo, bio, description of pedals and routing to pedallineateffectsbaydotcom. Every Friday I’ll showcase a pedal line submission. Make sure you include any links to your band or music page.

Pedal Line Friday - 1/25 - Alvaro Martín Gómez Acevedo

Hi. I’m a veteran bass player (26-year experience so far) from Bucaramanga, Colombia, South America, who just recently got bitten by the effects bug. Although several years ago I bought a Zoom multi-effects unit, I stopped using it just because most of its effect sounds were too “toyish” for me.

But around one year ago, I started reading so many rave reviews about the Microtubes B3K bass distortion/overdrive pedal from Darkglass electronics and, since I’ve always liked distortion, I decided to give it a try. So I ordered mine and when I received it, I simply couldn’t believe my ears. I mean, what a big difference compared to the Zoom distortions! The B3K is a REAL pedal.

After that experience, the “problem” was, I WANTED MORE PEDALS! So I started my research taking my favorite effects (not brands, just effect types) as an starting point. After LOTS of reading and deciding what I wanted, the final result is the one in the attached pictures. My friends at the TalkBass forums dubbed it “the USS Bad Muther F%$&er”. At least from the current offer in the market, I don’t want anything else regarding pedals.

So, here’s what I got:

- Loooper ABCD

- TC Electronic PolyTune

- Electro-Harmonix Bass Micro Synth
Love this one. A very versatile and great-sounding analog unit. The bass part from Van Halen’s “1984″ (yes, the synth prelude to “Jump”) sounds very convincing.

- MXR M82 Bass Envelope Filter

- Wilson 12-position vintage spec bass Q-wah

- MXR M87 Bass Compressor
One of the very few ones that has a detailed LED metering, which is a great visual aid for those of us not so experienced with compressors.

- Darkglass Microtubes B3K Bass distortion/overdrive
The one that started the fever. A great distortion/overdrive pedal for bass guitar.

- HardWire SP-7 Stereo Phaser

- DigiTech Whammy DT

- Copilot FX Planetoid Ring Modulator
Just for funny noises, actually. I must admit that I liked the Ringtone from ZVex demos more, but it’s way overpriced! The Planetoid is also great, anyway.

- Strymon TimeLine delay unit
This is a truly awesome delay/looper unit. Perhaps overkill for my needs, but its endless possibilities make it a worthwhile addition to any pedalboard.

- BSS Audio AR-133 Active DI Box

- Buzz Electronics Programmable Octo Looper
Everybody talks about Carl Martin’s Octa-Switch, which is undoubtedly a great unit, but this one is another terrific (and cheaper) product.

- PedalTrain Pro pedalboard

All of the above powered by three adapters: One Visual Sound 1-spot, the adapter that came with the DigiTech Whammy DT and the adapter from the EHX Bass Micro Synth. All of them plugged to a power strip tied to the bottom of the pedalboard (picture included). Neutrik plugs and Belden cable were used for connections.

Pedal Line Friday - 1/25 - Alvaro Martín Gómez AcevedoAnd here’s an explanation of the effects path:

The Buzz Electronics Programmable 8 Looper is the “layout headquarters”. It has eight effect loops, an independent tuner out, a switchable internal buffer and two channels. Channel one covers loops 1 to 3 and channel 2 covers loops 4 to 8. Of course, each channel has its own In/Out jacks. The PolyTune is hooked to the independent tuner out.

The signal path starts on the Loooper ABCD, which is actually a box that can send one signal to several amplifiers, but it also can be used in reverse, as in my case: I use it to keep up to four basses plugged using the 1- 2 – 3 – 4 jacks and switch between them. So, the “In” jack actually works as “Out” in my setup. That signal from the ABCD box goes to the 8-Loop’s channel 1 in. The layout on channel 1 loops (1 to 3) is like this:

- No effect plugged to loop 1. I use it for different effects combinations.
- EHX Bass Micro Synth plugged to loop 2.
- MXR Bass Envelope Filter plugged to loop 3.

Then, channel 1 out goes to the Wilson Q-wah in, which means it isn’t included among the possible loop combinations. The wah’s out jack goes to the MXR compressor in, which is also out of the loop combinations, and is always on. Compressor’s output goes to the 8-Loop’s channel 2 in. Here’s the layout for channel 2 loops (4 to 8):

- Darkglass B3K assigned to loop 4.
- HardWire phaser assigned to loop 5.
- DigiTech whammy DT assigned to loop 6.
- Copilot Planetoid assigned to loop 7.
- Strymon TimeLine assigned to loop 8.

Next step in chain is the 8-Loop’s channel 2 out, which goes to the AR-133 DI Box input jack. From there, the signal goes to the FOH console through the balanced 3-pin XLR output and to the bass amp through the “Link” 1/4″ jack.

With the 8-Loop it’s pretty easy to combine the effect loops in any imaginable way. Most of the times I have each effect assigned to its own loop switch and use loop 1 to create combinations, but I can use all the eight switches to combine effects if I want to.

This is my YouTube channel, in which you can hear some of my effects in action:

http://www.youtube.com/user/Alvabass

Direct links to effect-related videos from my channel:
http://www.youtube.com/watch?v=XSB_-ZxTDXA
http://www.youtube.com/watch?v=Q7r8jGLgzS8
http://www.youtube.com/watch?v=CbrVEp09ZZo
http://www.youtube.com/watch?v=Ek24AnCexYc
http://www.youtube.com/watch?v=Vbsk0NXnffE

Thanks for reading!
Regards,

Álvaro Martín Gómez Acevedo
Bucaramanga, Colombia, South America.

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Jan 22 2013

Pedal Board Breakdown – Matth Mullet – Preacherz of the Savage Truth

A few days ago I got a Facebook message from one of the members of Preacherz of the Savage Truth showing me a photo of their bassists board. The board is for Matth Mullet who plays some pretty mean bass, and I thought it would be cool to if I could break down this board. Preacherz of the Savage Truth is a band out of Toulouse, France. For those of you that don’t know me, I am/was/will be a pretty big Cure fan, and these guys sucked me in a with a cover of ‘Cold’. I’ll present the video further down in the post.

Pedal Board Breakdown - Matth Mullet - Preacherz of the Savage Truth

Matth definitely has crafted a great board with a lot of tonal ranges for his bass. This is the breakdown of pedals. Like always, if you see anything incorrect, missing, or just want to comment, please do so by commenting below!

Dunlop Bass Wah 105Q
Source Audio Bass Envelope Filter
Source Audio Expression Pedal SA161
Digitech Bass Whammy
Ibanez Tube Screamer TS9B Bass Tube Screamer   
Xotic Bass BB Preamp  
Devi Ever The Wolf Fuzz
MXR Script 90 Phase CSP-101CL
Tech 21 NYC AR3-B Footswitch
Voodoo Lab Pedal Switcher
EHX Russian Big Muff Pi
Alien Hate Fuzz
Homebrew Electronics Hematoma Bass Overdrive
TC Electronic Polytune Mini Noir
TC Electronic Hall of Fame Reverb
Line 6 DL 4 Delay
Rothwell Love Squeeze Compressor
Line 6 Wireless G30 Relay

As I mentioned above, here is the video by Preacherz of the Savage Truth covering Cure’s Cold:

To learn more about Preacherz of the Savage Truth, please check out their Facebook page!

 

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Jan 20 2013

Ambient Guitar Piece – Video

Ambient Guitar Piece - VideoI want to start off today by saying – I’m exhausted. My son turned 12 years old on Thursday, and yesterday he had his party. We’re talking lazertag, cake and arcade games for a few hours with a bunch of other 12 year old boys. That’s usually enough to pretty much wear me down to dust, but after the party, that was followed up with a slumber party with a few of his close friends. Everyone with their iPods and laptops playing Minecraft and watching movies. I have to say, if I was 12, this would have been my jam for sure. But, these kids love to play the game of – NOT SLEEPING. So last night when they were bouncing off the walls in the late night hours, I went into my office and played guitar for hours. Just dry, sitting in my chair. Practicing some songs for an upcoming shows and learning a few songs for an upcoming tribute show with another band.

I like to play with effects (obviously), but sometimes playing dry and non-amplified, while hearing the strings buzz, is a good feeling. For some reason.. that really feels like practice. If you get the guitar and fingers sounding good at that stage, it should sound good all plugged in.

So this morning, I woke up in a haze to say the least. What better thing to do than start the morning with a little YouTube surfing. I came across this interesting video of some ambient guitar. I’m a fan of this. An amp, a guitar and some pedals. Solo. Making something. A little while back I was exploring some solo ambient stuff for myself, and it was incredibly satisfying, and I hope I can get back to it after things settle down on the guitar front for me.

So without further ado, here is a video by Alex Moore working a nice ambient piece. I thought some of you might like this:

He’s using some tasty gear to pull this off, and he was nice enough to let us know:

Walrus Audio Deep Six Compressor
Electro-Harmonix Micro POG
Voodoo Lab Sparkle Drive
Cusack Tap a Whirl
Electro-Harmonix Deluxe Memory Man w/Tap Tempo
Digitech Hardwire RV7 Stereo Reverb
Boss DM-2 Delay
Boss RV-5 Reverb

This is all going into a Dr Z. Maz18 combo.

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Jan 4 2013

Pedal Line Friday – 1/4 – Brandon Highfill

Today’s pedal line is from Brandon Highfill (First Pedal Line Friday of 2013 -> Woot!). If you have a pedal line (doesn’t have to be in a board) for your rig, please email me a photo, bio, description of pedals and routing to pedallineateffectsbaydotcom. Every Friday I’ll showcase a pedal line submission. Make sure you include any links to your band or music page.

Pedal Line Friday - 1/4 - Brandon Highfill

After many versions, I am finally satisfied with the amount of options and quality of effects on my board. I play Experimental, Shoegaze, Spacey type sounds with lots of driving grooves along the way that require many forms of delay to keep everything moving and evolving. My signal chain is as follows :
guitar (Rickenbacker 330 / AXL Jazzmaster knockoff) —> Boss TU-2 –> Boss CS-2 —> EHX Big Muff —> ZVEX Fuzz Factory —> Moog Ring Modulator (using 2 expression pedals One for Rate and One for Freq control)—>  Pigtronix Tremvelope—-> Digitech Whammy —> MXR Phase 100 —> Carson Lane FX Fat Boost Clone —> Dunlop High Gain Volume Pedal —> MXR Carbon Copy — > Eventide Timefactor —> Eventide SPACE w/ AUX Switch—> Line 6 DL4 — > Orange Rocker 30 (Black Tolex) with Celestion vintage 30

I am currently working on 2 projects that will be releasing music soon but you can check out some of the sounds I’ve made with this  board @ http://soundcloud.com/brandonblanehttp://noimusic.bandcamp.com/

God bless
- Brandon Blane Highfill

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Dec 28 2012

Pedal Line Friday – 12/28 – Tom Warland

Today’s pedal line is from Tom Warland. If you have a pedal line (doesn’t have to be in a board) for your rig, please email me a photo, bio, description of pedals and routing to pedallineateffectsbaydotcom. Every Friday I’ll showcase a pedal line submission. Make sure you include any links to your band or music page.

Pedal Line Friday - 12/28 - Tom Warland

 

Hi there, thought i’d share my live rig for bass and harmonica.

This pedal board has several inputs going on, my 6 string fretted bass go’sinto the Crybaby Bass 105Q, DOD Bass Overdrive, Input 1 of the MORLEY TWIN MIX.  My Electric Upright Bass goes into Input 2 as I wanted to keep the way and overdrive away from that bass for when I have both in use in a song to save tap-dancing across the stage.  After the Morley the combined signals go to the Korg Pitchblack tuner, Boss NS-2 Noise Surpressor, and the effects loop of the NS-2 goes to the EWS BMC (Bass Mid Control) – this tiny green pedal is a boost to the mid frequencies, the middle ring of the stacked pot controls where the peak of the frequency boost is, and the outer ring is how much boost, great for just helping the bass cut through the live sound for a solo, Then the signal goes to the Boss CEB-3 Bass Chorus, Electro Harmonix Micro Pog and then back to the NS-2. After this is the Ashdown Bass Dual Compressor, and finally to the Boss RC-3 (input 1), There is also a 2 button footswtich made for me by Bright Onion Pedals attached the the RC-3 that controls stop, clearing the memory bank, tempo tap, and moving up and down the banks. I also have another one of their footswtiches (far right) for the overdrive on my guitar amp.  The Boss BD-2 Blues Driver is for my Harmonica before going to input 2 of the RC-3 and then out of output 2 to the PA system.

My bass amp of choice is an Ashdown BlueLine EVO II 180watts with a 15inch cone in the combo and an extension 2×10 Ashdown MAG cabinet. this gives me about 230watts of stage volume and then DI out to PA. Bass wise I use a custom built 4 sting upright by ALS guitars, 5 string fretless from Harley Benton in germany, and a unbranded 6 string fretted bass from a small independent company in Northern England.  Harmonicas are Hohner and Hammond going through a SM57.

You can see all of this in action with my band Limosca (www.facebook.com/limoscaband www.youtube.com/limoscaband)


Tom Warland

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