Today’s pedal line is from Michael Stettes. If you have a pedal line (doesn’t have to be in a board) for your rig, please email me a photo, bio, description of pedals and routing to pedallineeffectsbaycom. Every Friday I’ll showcase a pedal line submission. Make sure you include any links to your band or music page.

I play bass (and do some light synth work) in Sam Cooper & The Sleepwalkers, a Wilco-ish, Sun Kil Moon-y sort of band that I love dearly. We just did a winter EP called “Snow” and you can download the three songs off it for FREE at http://samcoopersolo.bandcamp.com/releases. It includes an original as well as two covers. So if you wanna hear some slackers put their own spin on “Kiss From a Rose” as well as the Christmas classic, “Walking in the Air,” boom, do it. I mean, it’s friggin’ Seal, man. Get some.

The Bass: I’m only using one bass guitar right now–a MIM Fender P-bass that’s been completely gutted, sanded down, and rebuilt to emulate a 60′s P-bass in every way. Electronics have been replaced, frets have been sanded, and it’s been repainted with a nitrocellulose laquer (ReRanch Sonic Blue) with the headstock matched. The coat has started to become a little seafoamy with time, but that’s just fine. Here are a few pics, one with me in it from a gig a little while ago. The pic with the driftwood came from the luthier who sold it to me, and he didn’t include the tugbar, but I wouldn’t have used it anyway. I also put a sizable nick in the headstock that I’m irked about, but like the luthier told me to do when I bought it from him, I’ve been “playing the hell out of it.”

The Board: I use a modified Pedal Pad AXSII. It’s really heavy but it’s super durable. I loved the board but since I bought it used, the carpet wasn’t in the best condition. I ripped it off, painted the bare wood black, and drilled some 12″x12″ aluminum sheets into it. They’re lightweight, and good for adhesive strips of velcro. I’m thinking of modding it further by drilling a handle between the wooden flaps so I can lift both up at once.

The Power: I use a Voodoo Labs Pedal Power 2 and have a Visual Sound 1-Spot plugged into the PP2′s outlet. The only thing I don’t like about the PP2 is the fact that because the barrel connectors are straight, it’s hard to fit them in tight spaces, like on pedals with 9v jacks on the side right next to the jacks. That’s where the 1-spot’s angled connectors come in. I have the PP2 attached with velcro to the underside of one of the flaps, reinforced by super glue. Super-glue is awesome. I’ve noticed some minor noise that I think is likely ground-loop related and cuased by the daisy chain, so I’ll likely get a Voodoo Lab ISO-5 at some point to supplement MAH POWAH.

The Cables: Most of the connections on the board are made using Planet Waves Solderless Pedal Board Cables. I strongly recommend them. Easy to make and use. I have a couple of DiMarzio Patch Cables, an Armor Gold one, and a few cheapies of origins unknown. I use a Monster Rock cable from the guitar to the board. People say Monster is overrated, and that’s probably true, but their Rock cables coil extremely well, look good, and have never given me an issue. From the board to the amp, I use an Armor Gold cable.

Korg Pitchblack Tuner: Nice and bright. Does its job and does it well. The footswitch has gotten a little glitchy over the years and I might repair it soon. I’d prolly get another if I had to replace it.

Boss DF-2 Super Feedbacker & Distortion: Many reviews knock the dirt of this pedal, but I actually dig it. However, I don’t use this as a dirt pedal live. I solely use it for its feedback function in combination with my other pedals to create cool, droney soundscapin’, which is why I don’t mind it being in front of the compressor. I’ve toyed with the idea of getting the new Boss FB-2 Feedbacker/Booster as a replacement, and storing the SF-2 for safekeeping since it’s discontinued. Oh, and I had a guy put a purple LED in mine, because fuck red.

Ashdown Dual Band Compressor: A buddy of mine had this sitting around his house and just gave it to me. I had never messed with a bass compressor pedal before. I was definitely missing out. I almost always leave it on now. It’s got a pretty big footprint, but I love the sound it gives me. Plus, the EQ on it is really powerful.

Fender Sub-Lime Bass Fuzz: What a cool pedal in both looks and sounds. Rockin’ ballsy vintage bass fuzz. Comes with a price though: learning curve, weighs a bit, and some of the controls are under the pedal. I’ve thought about having it rehoused by Walrus Audio and renaming it the “Sub-lemon-al Bass Fuzz” (see what I did there?). Still, I love it. This is my go-to pedal for dirt live. I stack it with the El Oso if I need even more.

Devi Ever U.S. Fuzz: Gated, sputtery doom. Lacks a little low end, but I can adjust the amp for that and it’s good for smooth, synthy, saw-like fuzz. It’s actually off my board now (I had stolen it from my guitarist and he wanted it back, d’oh!) I now have a clone of the U.S. Fuzz that Noisekick FX did for me called the “DEUS,” which means “GOD” in Latin, but also pays tribute to the original: Devi Ever US. The clone has an an additional toggle switch for more low end. I combine it with the Hummingbird for cool pulse sounds.

Heavy Electronics El Oso Bass Distortion: Use this when I want a mostly clean tone with a background of sizzle. Thank you Blend knob! Sayer, the proprietor of Heavy Electronics, is an awesome chappie, and you really can’t go wrong with his pedals. Ever.

Earthquaker Devices Hummingbird: This is essentially a tremolo, but Earthquaker refers to it as a repeat percussion pedal, which is probably more accurate. It’s all chop, can get really fast, and its depth goes all the way to silence. Exceptional pedal.

Danelectro Cool Cat Chorus: While this can definitely add some thickness to the dirt and the drones, this is strictly a placeholder pedal. I will soon be replacing this with the Source Audio Soundblox Bass Envelope Filter. And yes, I’m getting the Hot Hands to go with it. I’m torn on whether or not I should get the “Pro” version of it. If I get a bigger board though, I’ll keep the Cool Cat because I like the spund of chorus on bass, but in that instance, I may replace it with the Tech 21 Bass Boost Chorus.

MXR Carbon Copy Analog Delay: You see this bad boy everywhere for a reason. Solid, dark, analog delay. I’ve tweaked the internal controls for more modulation.

Line 6 Verbzilla: There are two main things I use this reverb for. The first is the Octo setting for thickening the feedbacker drones and for other shimmery things. The second is the Ducking verb, which is really ideal for bass guitar. It responds to your playing dynamics. The louder you play, the less reverb you hear, so your signal isn’t muddied, and when a note rings out, the verb fades back in. Plus, the Verbzilla has a trails switch that I think is ideal for delay/reverb pedals.

The Amp: Nothing fancy. Just a little Ampeg BA115 Combo.

Thanks for reading! i know I probably included a lot of details you don’t care about, but I personally like reading that kind of stuff, and thought others might as well! Again! Free songs! Seal! http://samcoopersolo.bandcamp.com/releases

Incoming search terms for EffectsBay.com:

• ehx 2880 line6 dl4
• danelectro delay rehouse
• digitech multiplay pds fx0893 alternatives
• tc electronic polytune pulsar
• mxr jh-2s machine head
• velcroed boss pedal
• space saving pedalboard
• optimal acoustic guitar live setup into pa diagramme
• Rickenbacker 4001 1974
• zvex super hard on battery snap

Okay, we’re talking Kevin Shields this morning. If you know about My Bloody Valentine, you know they are the masters of creating sound-scapes. Kevin Shields is a true virtuoso of effects. I’ve been asked several times to feature his board, and frankly, I knew it was going to be a big task to get it together. Oddly, there aren’t many ‘recent’ photos of Kevin’s boards, but I did find some (that were posted several times in the past) by ZVex I believe. They are close ups of his three boards with a switching system. They were shot in 2008ish, so I’m sure much has changed since then.

Like I mentioned, I saw these same photos over and over, but what I didn’t see was a complete listing of pedals. This is where you can come in. I think between myself and the EffectsBay community we can come up with a complete listing of those boards and have them available in this post. I added numbers to each photo so identifying the exact location of the pedal which should make it easier. If there is a unknown pedal and you know what it is, please email me or comment below and I’ll update the post.

Here we go! Kevin’s primary board. It is important to note that these pedals are all controlled by a switching system (listed below). Click on the photo to see it larger.

1. Vox Tone Bender
2. HBE Home Brew Electronics Power Screamer
3. Boss DD-7 Digital Delay
4. Boss TW-1 T-Wah
5. SIB Nick Nitro Fuzz Octave
6. Roger Mayer Voodoo-1 OD
7. DigiTech JamMan
8. MIDI control box
9. Pete Cornish SS-3 OD
10. Boss AW-3 Dynamic Wah
11. Pete Cornish ST-2
12. Death by Audio Supersonic Fuzz Gun
13. Devi Ever White Spider (Effector 13 model)
14. MXR M109 6 band EQ
15. Boss DD-7 Digital Delay
16. Boss GE-7 Equalizer
17. Boss PN-2 Tremolo/Pan
18. Ibanez AD-9 Analog Delay (Keeley mod)
19. Dr. Scientist Tremolessence (v1)
20. Electro-Harmonix Triangle Big Muff
21. Electro-Harmonix Little Big Muff
22. Boss FT-2 Dynamic Filter
23. Boss AC-3 Acoustic Simulator
24. Roger Mayer Voodoo Vibe
25. ZVex Box of Rock
26. Shere Sound Whirligig
27. Roger Mayer Mongoose
28. Boss GE-7 Equalizer
29. Vorg Warp Sound
30. Devi Ever Shoe Gazer Fuzz
31. Boss PS-5 Super Shifter
32. Malekko Echo 600 Dark Analog Delay

Next we have Kevin’s secondary board

1. MIDI control box
2. Digitech Whammy
3. ZVex Lo Fi Loop Junky
4. MG That’s Echo Folks
5. Lovetone Meatball
6. Death by Audio Octave Clang

This next board was referred to as the “You made me realize noise board”

1. Morley Boost Wah (actually this is a DIY wah built in a Morley Boost Wah enclosure) photo
2. Roger Mayer (spaceship) Octavia
3. Digitech Whammy
4. September Sound Envelope Filter Wah Fuzz IIKS & Fuzz
5. Devi Ever Truly Beautiful Torn’s Peaker
6. Catalinbread Ottava Magus (v1)
7. Devi Ever Godzilla Fuzz
8. Devi Ever Dream Mangler

Here is a shot of the switching system to control his main board:

Phew. That was a lot to go over. Like I mentioned above, if you can identify any of the missing pedals, please contact me or comment below! Thanks!

Incoming search terms for EffectsBay.com:

• kevin shields
• my bloody valentine pedalboard
• kevin shields pedals
• my bloody valentine
• Kevin Shields gear
• my bloody valentine pedals
• my bloody valentine pédale photo
• Kevin Shields sound
• my bloody valentine pedal
• kevin shields analog delay

Today I wanted to talk about the Devi Ever Year of the Rat.  Devi Ever is definitely pumping out a variety of cool fuzz pedals. This one is a little interesting since it’s a clean boost with fuzz.

Here is the official description of the pedal:

The Year of the Rat Boost guitar effects pedal from Devi Ever is a clean boost with a chunky fuzz undertone. With this boost pedal you can achieve some meaty blues tones that would sound great in a multitude of genres or musical projects. It works well with bass, guitar, vocals, synths, drums, and anything else you can run through it.

The Volume knob controls the outbound gain of the fuzz circuit, and there is a lot of gain on tap. Use the YOTR boost pedal loud to push an amp into overdrive or boost lead parts. Be careful though, it can get very loud on a clean amp. The control knob changes the effect pedal’s intensity and character, so you can control the level of fuzz pumping through your amp for a dirty fuzz tone that would suit the rodent in all of us.

I found this interesting demo by tdal1706:

You can pick up the Devi Ever Year of the Rat for $97.50 at Musician’s Friend.

Remember, if you like reading about these pedals and seeing videos reviews from others, please subscribe to the RSS feed and get notified via email when there are new postings!

Incoming search terms for EffectsBay.com:

• devi ever year of the rat
• devi ever year of the rat review
• rat pedal for sale
• devi year of the rat
• devi ever vs rat
• year of the rat pedal guitar
• year of the rat pedal
• electro harmonix graphic fuzz with variable envelope response ebay
• devi ever year ot the rat
• devi ever year of the ray

Today, I’ve been distracted by some Devi Ever stuff, so I thought I would make a post dedicated to at least one pedal today. Today, I wanted to talk about the Devi Ever Devistortion Overdrive. This is a two mode distortion/overdrive, clicking them both on will combine the two.

Here is the official description:

The Devi Ever Devistortion overdrive pedal delivers the classic tone your crave from chewy brown to chunky sushi. The twin pedal houses Devi Ever’s Karaoke Party and Electric Brown pedals, offering incredible tone, classic overdrive, and a simple interface, so you can dial in your sound and quickly get to rocking. The Devistortion works well with bass, guitar, vocals, synths, drums, and anything else you can run through it.

Devistortion is equipped with Electric Brown volume control, texture control, and footswitch. The Karaoke Party offers volume control, texture control, and footswitch. Electric Brown offers fat meaty tones, with classic flare. The Karaoke Party sound brings out chunky overdrive, with a hint of crispness that separates it from Electric Brown. The texture controls change the overdrive’s gain, bringing out tons of aggressive nastiness when cranked to the max.

Engage both the stombox’s effects for all-out overdrive devastation. Devistortion sounds great for a multitude of genres. Whether playing chunky blues rhythms, classic rock leads, or screaming metal licks, the Devistortion overdrive pedal has the sound that you’re looking for. Includes LED illumination.

I found this great video by gearmanndude:

You can pick up the Devi Ever Devistortion Overdrive for $197.50 at Musician’s Friend.

Remember, if you like reading about these pedals and seeing videos reviews from others, please subscribe to the RSS feed and get notified via email when there are new postings!

Incoming search terms for EffectsBay.com:

• devistortion
• devi ever Devistortion
• devistortion review
• devi ever electric brown review
• devi ever devistortion review
• devistortion pedal
• devistortion pedal review
• electric brown overdrive reviews
• fulltone gt-500 or amp11 or möller
• devi karaoke party pcb layout

The following is a guest review of the Devi Ever Shoegazer by Jack Broughan. If you are interested in guest posting, please contact me!

The first time I used this pedal I came quite close to vomiting on myself. Not because of any negative qualities of the pedal itself but rather because of the previous night’s festivities and that I had set the Volume knob at about half way. Needless to say this pedal is quite loud.

The pedal itself is handmade in Portland Oregon and boasts two pedals in its housing; the Torns Peaker and the Soda Meiser. Sitting squarely in the sonic territory of Big Black, My Bloody Valentine and The Jesus and Marry Chain and coupled with a very high output this pedal is not for the sensitive soul. The pedal features independent volume and tone knobs for each fuzz circuit. This allows for plenty of interaction between the two circuits. The Torn’s Peaker circuit at its tamest sounds like the chainsaw tone of Steve Albini. With the tone knob at quarter past the pedal begins to sound much thicker, akin to an EHX Big Muff. The Soda Meiser circuit provides and octave fuzz effect. Both circuits can be stacked together by toggling the bypass and aptly titled “more fuzz” switches. This creates a wall of squirming popping fuzz of monstrous proportions. If you love Fuzz then this pedal is for you.

The Devi Ever Shoegazer includes:
- true bypass
- mxr sized enclosure
- boutique quality components
- incredibly low mA draw
- silicon transistor based
- enclosure size : 4.7″ x 3.7″ x 1.18″
- 9 volt, 2.1 mm, negative tip power jack
- 9 volt battery snap inside (unscrew the back plate)

Here’s a Demo by Devi.

by Jack Broughan

You can pick up the Devi Ever Shoegazer for $197.50 at Musician’s Friend.

Remember, if you like reading about these pedals and seeing videos reviews from others, please subscribe to the RSS feed and get notified via email when there are new postings!

Incoming search terms for EffectsBay.com:

• Devi ever shoegazer
• devi ever shoegazer review
• devi ever shoe gazer
• devi ever shoegazer pedal
• devi ever soda meiser review
• devi shoegazer
• devi ever shoegazer sale
• devi ever shoegazer reviews
• devi ever shoe gazer review
• shoegazer devi ever

The Devi Ever Hyperion fuzz… and is being described as the “Big Muff Killer”. This is a interesting fuzz, with lots of edge and the over the top fuzz you’d come to expect from Devi Ever. Also, interesting point, they’ve included a built in noise gate, not sure if you can adjust the threshold of this or not, but seems handy to have.

Here is the official description:

The Devi Ever Hyperion Distortion Guitar Effects Pedal has been described as the “Big Muff” killer. The Hyperion pedal has excellent sustain and is very sensitve to playing dynamics. The Devi Ever Hyperion is a great lead fuzz pedal that generates tones that are reminiscent of acidy San Fransisco sounds of the ’60s. A built-in gate effect quiets noise when Hyperion distorton pedal is not receiving signal.

Devi Ever Hyperion Distortion Guitar Effects Pedal Features:

* True bypass
* MXR sized enclosure
* Boutique quality components
* Incredibly low ma draw
* Silicon transistor based
* 9 volt, 2.1 mm, negative tip power jack
* 9 volt battery snap inside (unscrew the back plate)

I found this video by devieverfx..

You can pick up the Devi Ever Hyperion Fuzz for $97.50 at Musician’s Friend.

Remember, if you like reading about these pedals and seeing videos reviews from others, please subscribe to the RSS feed and get notified via email when there are new postings!

Incoming search terms for EffectsBay.com:

• Devi Ever Hyperion
• devi ever hyperion review
• devi ever clone
• hyperion devi ever
• hyperion pedal review
• hyperion fuzz review
• Devi Ever Hyperion Fuzz
• muff killer
• hyperion muff killer
• deviever hyperion review

The following is a guest post review of the Devi Ever Spectacular Aenima pedal by Kevin Ian Common. If you are interested in guest posting, please contact me!

Good Day, Kind Readers

I get quite a few questions about my Spectacular Aenima Pedal. I purchased this pedal in a small underground electronic music in San Francisco called Robot Speak. It seems to be a Dwarfcraft build of Devi Ever circuitry with a few other things thrown in. I say this because it looks so much like the Truly Beautiful Disaster by Devi Ever. I have not found much on my version of the pedal, so I might consider it one of those interesting-couple-of-a-kind models.

I will eventually do a video to showcase it’s feedback looping capabilities, but that is a series of videos in it’s own right! I will focus on the fuzz.

This is not your typical fuzz. Most fuzz pedals sound like either a scratchy distortion pedal or a bassy and tubby metal pedal living under the guise of “smooth.” This is not a smooth fuzz–it’s nasty, it’s ugly, and sounds much more like a broken set of speakers than this “creamy,” “smooth” and “vintage” fuzz most of you are aware with. Single notes are wonderful while full chords are either massive note monsters or massive clusterf**ks–the choice is yours!

It has three stages of gain and a glitch mode. The glitch mode has all of the weird bit crushing and random arpeggios you remember from your days with Atari and Nintendo. The glitch mode actually is responsive to your volume and picking dynamics. The softer you pick, the more chance you have at random arpeggios, and when you kill the single completely, you get this motor-boating sound–enough to make ANY sound guy worry at a gig!

The fuzz is a wonderful thing to behold. It’s three-dimensional and feels full-bodied and massive. Everything at unity sounds wonderful, but boosting or scooping certain controls give you either bassy nastiness or white noise heaven.

I have uploaded a few videos to showcase it’s wonderfulness. I hope you enjoy it and look further into the pedal!

- Kevin Ian Common
thecommonmenmusicgmailcom

Kevin Ian Common is a multi-instrumentalist who has been playing guitar since high school. His band, The Common Men, is a Post-Punk trio from Northern California. For more information, subscribe to the WeLoveTheCommonMen channel on YouTube and find us on Facebook and www.myspace.com/thecommonmen.

Incoming search terms for EffectsBay.com:

• Devi Ever Spectacular Aenima
• devi ever aenima review
• spectacular aenima
• Devi Ever Ænima Spectacular
• devi ever ænima spectacular
• spectacular aenima review
• devi ever aenima
• dwarftcraft
• review devi ever aenima
• devi ever truly beautiful disaster review

Feelin’ a bit cranky this morning. Cure.. watch fuzz videos.  So today, I got sucked into the Devi Ever Disaster Fuzz. This is a pretty nasty fuzz, and has a oscillation toggle, which gives it a growly synth sound. We know that Devi Ever makes some great and crazy sound effects. If you’re looking to get some weirdness, meaness, and/or craziness, then Devi Ever might be your ticket.

Here is the official description of the Devi Ever Disaster Fuzz:

One of the most of the radical sounding pedals created by Devi Ever the Disaster Fuzz Guitar Effects Pedal doesn’t like you. In truth, he wishes you’d just stomp hard on his face and put him out of his misery. Of course, the Disaster Fuzz is made of shamrocks and stern stuff, so there’s no way he’s ever going to be destroyed. He will destroy your guitar tone though. In ways that you never dreamed possible. Turn on the oscillation, you will be greeted by an endless synth drone of melancholy. Turn off the oscillation and enjoy the sweet fuzz without the whining.

Devi Ever Disaster Fuzz Guitar Effects Pedal Features:

* Volume Knob Adds Lots Of Gain
* Control Knob Changes Fuzz Texture And Intensity, Oscillation Intensity And Pitch When In Oscillation Mode.
* Flip Switch Toggles The Oscillation On Or Off.
* True Bypass
* MXR Sized Enclosure
* Boutique Quality Components
* Incredibly Low Ma Draw
* Silicon Transistor Based
* 9 Volt, 2.1 Mm, Negative Tip Power Jack
* 9 Volt Battery Snap Inside (Unscrew the back plate)

Here is the demo video by devieverfx:

You can pick up the Devi Ever Disaster Fuzz for $97.50 at Musician’s Friend.

Remember, if you like reading about these pedals and seeing videos reviews from others, please subscribe to the RSS feed and get notified via email when there are new postings!

Incoming search terms for EffectsBay.com:

• Devi Ever Disaster Fuzz
• Disaster Fuzz
• disaster fuzz review
• devi ever disaster fuzz review
• devi ever disaster fuzz for sale
• buy devi ever disaster fuzz
• does the dunlop jhf1 have internal trim pots
• disaster fuzz review#
• Dunlop JHF1 fuzz face internal trim pot mod forum
• for sale devi ever disaster fuzz

Hello Everyone!

I received my Devi Ever LP in the mail. I know many of you are familiar with Devi Ever. I have fallen in love with these pedals. I discovered Devi Ever whilst looking for noise pedals and interesting pedals to add to my rig.

You can look up www.deviever.com to read the full description about the LP. I thought I would give you my own take:

The Devi Ever LP is an overdrive with a broken record skipping effect. It’s skipping effect is pretty random, but it gets more intense when you mess with the “control” knob. Then again, this pedal only has two knobs: volume and control.

Most of the demos on DeviEver’s YouTube seem to be done direct, with no amp. This is a problem to me because I know direct-in recording is completely different compared to speakers. I kind of bought this one out of faith, but I was not disappointed

The thing you notice right away is the overdrive. It’s a very unique sounding overdrive. I haven’t really heard it before, so I cannot compare it to anything. If anyone can, by all means, comment! It’s not too fuzzy, but it’s not one-dimensional like so many other overdrives I’ve heard before. It has a unique body… almost like it relies on texture to make it’s point.

However, if you are like me, and you turn your controls all the way up before striking a single note, you would have noticed the skipping first. The effect really is like that of a broken record. I’ve also noticed that along with the control knob, the skipping effect is very touch-sensitive. I lightly picked a few chords without hearing anything, but as soon as I layed into an open chord, you immediately hear skipping and glitches thrown into the mix. It’s delicious.

Devi Ever recommends you play around with it until you find a setting you like. I personally have found every setting wonderful.

Writing this review has finally given me the perfect analogy of the Devi Ever LP–and quite possibly ever Devi Ever pedal ever made: these pedals are the equivalent of putting potato chips in sandwiches. Sure, you have your meat (or meatless patties), tomatoes, lettuce, pickles, and condiments, but ever now and then you want to throw in some real contrast when it comes to texture. The crunch of the potato chip perfectly compliments everything. The LP is a pedal of overdrive texture and texture by way of a skipping signal.

I have included a modest video demo, but a search on YouTube can yield Devi Ever’s demo as well.

I love it, and you should too

Kevin Ian Common recently used a power drill for sound contrast and paid for it in blood. He plays guitar and sings in The Common Men, a Post-Punk trio from Northern California. They are on Facebook and Twitter, but you can find them @ www.myspace.com/thecommonmen for all updated information and sound files.

You can pick up the Devi Ever LP at Tone Factor for $97.50

Incoming search terms for EffectsBay.com:

• devi ever review
• Devi ever lp
• devi ever reviews
• Devi ever lp review
• deviever LP
• devi ever comparison
• devi ever price
• devi ever rocket price
• lp devi ever recensione

I mentioned to a few people on Twitter that Devi Ever pedals are now at Musician’s Friend, which is absolutely great. I’m super stoked that the variety and availability of pedals out there is growing almost daily.

Today, I wanted to bring up the Devi Ever ‘The Bit’ fuzz pedal. I love this video by Aen, and I love the sounds this thing can produce… which is pretty crazy. From snarl to synth, I’m sure you’ll find something that will fit.

Here is the official description:

The Bit Legend of Fuzz Guitar Effects Pedal is an intense sawtooth shaping fuzz that creates tones reminiscent of C64, Atari, and other old video game consoles. Operates on standard 9 volt battery.

Devi Ever The Bit: Legend of Fuzz Guitar Effects Pedal Features:

* Controls:
* Volume knob: lots of gain on tap
* Control knob: changes fuzz intensity and texture
* (Graphics and knobs may vary)

Here is a video by theonetrueaen:

You can pick up the Devi Ever The Bit fuzz for $97.50 at Musician’s Friend.

Remember, if you like reading about pedals and seeing videos reviews from others, please subscribe to the RSS feed and get notified via email when there are new postings!

Incoming search terms for EffectsBay.com:

• devi ever legend of fuzz
• Devi Ever BIT
• Legend of Fuzz
• devi ever legend of fuzz review
• Devi Ever the Legend of Fuzz
• the legend of fuzz
• devi ever the bit
• legend of fuzz review
• devi ever bit legend of fuzz
• legend of fuzz pedal